<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-29607494</id><updated>2011-07-28T05:29:01.907-07:00</updated><title type='text'>historia del vídeo arte</title><subtitle type='html'></subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://historiadelvideoarte.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/29607494/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://historiadelvideoarte.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>paco nadie</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='22' src='http://photos1.blogger.com/blogger/871/1751/1600/annimo2.jpg'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>31</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-29607494.post-4696543463245136675</id><published>2007-07-18T04:40:00.000-07:00</published><updated>2007-07-18T04:51:40.813-07:00</updated><title type='text'>Christian Marclay</title><content type='html'>&lt;object width="425" height="350"&gt;&lt;param name="movie" value="http://www.youtube.com/v/4yqM3dAqTzs"&gt;&lt;/param&gt;&lt;param name="wmode" value="transparent"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/4yqM3dAqTzs" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;Propuestas metodológicas y juegos de aproximación al arte de sonoro. Christian Marclay  muestra una visión metalingüistica, descreida, desenfadada y ejemplar para  mostrar  formas de trabajo creativo en una verdadera aproximación creativa a las herramientas de trabajo musical y el objeto tecnológico.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/29607494-4696543463245136675?l=historiadelvideoarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://historiadelvideoarte.blogspot.com/feeds/4696543463245136675/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=29607494&amp;postID=4696543463245136675' title='3 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/29607494/posts/default/4696543463245136675'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/29607494/posts/default/4696543463245136675'/><link rel='alternate' type='text/html' href='http://historiadelvideoarte.blogspot.com/2007/07/christian-marclay.html' title='Christian Marclay'/><author><name>paco nadie</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='22' src='http://photos1.blogger.com/blogger/871/1751/1600/annimo2.jpg'/></author><thr:total>3</thr:total></entry><entry><id>tag:blogger.com,1999:blog-29607494.post-1859514316757269686</id><published>2007-02-12T12:13:00.000-08:00</published><updated>2007-02-12T12:16:53.087-08:00</updated><title type='text'></title><content type='html'>&lt;object width="425" height="350"&gt;&lt;param name="movie" value="http://www.youtube.com/v/Jog4s_TipGk"&gt;&lt;/param&gt;&lt;param name="wmode" value="transparent"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/Jog4s_TipGk" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt; Jenny Holzer&lt;br /&gt;Televised Texts&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/29607494-1859514316757269686?l=historiadelvideoarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://historiadelvideoarte.blogspot.com/feeds/1859514316757269686/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=29607494&amp;postID=1859514316757269686' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/29607494/posts/default/1859514316757269686'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/29607494/posts/default/1859514316757269686'/><link rel='alternate' type='text/html' href='http://historiadelvideoarte.blogspot.com/2007/02/jenny-holzer-televised-texts.html' title=''/><author><name>paco nadie</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='22' src='http://photos1.blogger.com/blogger/871/1751/1600/annimo2.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-29607494.post-383253674620335361</id><published>2007-02-12T09:07:00.000-08:00</published><updated>2007-02-12T09:06:34.216-08:00</updated><title type='text'></title><content type='html'>&lt;object width="425" height="350"&gt;&lt;param name="movie" value="http://www.youtube.com/v/qNFk4DsbaOk"&gt;&lt;/param&gt;&lt;param name="wmode" value="transparent"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/qNFk4DsbaOk" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;Man Ray &lt;br /&gt;Le Retour a La Raison. 1923&lt;br /&gt;2:31&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/29607494-383253674620335361?l=historiadelvideoarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://historiadelvideoarte.blogspot.com/feeds/383253674620335361/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=29607494&amp;postID=383253674620335361' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/29607494/posts/default/383253674620335361'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/29607494/posts/default/383253674620335361'/><link rel='alternate' type='text/html' href='http://historiadelvideoarte.blogspot.com/2007/02/man-ray-le-retour-la-raison.html' title=''/><author><name>paco nadie</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='22' src='http://photos1.blogger.com/blogger/871/1751/1600/annimo2.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-29607494.post-5561492568140271932</id><published>2007-02-12T08:56:00.000-08:00</published><updated>2007-02-12T08:49:38.988-08:00</updated><title type='text'></title><content type='html'>HANS RICHTER&lt;br /&gt;&lt;br /&gt;&lt;object width="425" height="350"&gt;&lt;param name="movie" value="http://www.youtube.com/v/joMdzvW7K3s"&gt;&lt;/param&gt;&lt;param name="wmode" value="transparent"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/joMdzvW7K3s" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;Hans Richter  &lt;br /&gt;Filmstudie. 1925&lt;br /&gt;3:44&lt;br /&gt;&lt;br /&gt;&lt;object width="425" height="350"&gt;&lt;param name="movie" value="http://www.youtube.com/v/JLIECE7S6bA"&gt;&lt;/param&gt;&lt;param name="wmode" value="transparent"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/JLIECE7S6bA" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;HANS RICHTER&lt;br /&gt;Inflation 1928&lt;br /&gt;2:40&lt;br /&gt;&lt;br /&gt;&lt;object width="425" height="350"&gt;&lt;param name="movie" value="http://www.youtube.com/v/Q-ibvhS7VRA"&gt;&lt;/param&gt;&lt;param name="wmode" value="transparent"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/Q-ibvhS7VRA" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;Hans Richter&lt;br /&gt;Race Symphony. 1928&lt;br /&gt;5:04&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;object width="425" height="350"&gt;&lt;param name="movie" value="http://www.youtube.com/v/oOcvY4_LlSo"&gt;&lt;/param&gt;&lt;param name="wmode" value="transparent"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/oOcvY4_LlSo" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;Hans Richter&lt;br /&gt;Everything Turns Everything Resolves. 1929&lt;br /&gt;3:25&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/29607494-5561492568140271932?l=historiadelvideoarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://historiadelvideoarte.blogspot.com/feeds/5561492568140271932/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=29607494&amp;postID=5561492568140271932' title='3 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/29607494/posts/default/5561492568140271932'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/29607494/posts/default/5561492568140271932'/><link rel='alternate' type='text/html' href='http://historiadelvideoarte.blogspot.com/2007/02/hans-richter-hans-richter-filmstudie.html' title=''/><author><name>paco nadie</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='22' src='http://photos1.blogger.com/blogger/871/1751/1600/annimo2.jpg'/></author><thr:total>3</thr:total></entry><entry><id>tag:blogger.com,1999:blog-29607494.post-6813601356474646380</id><published>2007-02-12T08:48:00.000-08:00</published><updated>2007-02-12T08:46:26.632-08:00</updated><title type='text'></title><content type='html'>&lt;object width="425" height="350"&gt;&lt;param name="movie" value="http://www.youtube.com/v/hbVvxD7-f38"&gt;&lt;/param&gt;&lt;param name="wmode" value="transparent"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/hbVvxD7-f38" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;James Stuart Blackton &lt;br /&gt;The Enchanted Drawing. 1900  &lt;br /&gt;1:28&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/29607494-6813601356474646380?l=historiadelvideoarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://historiadelvideoarte.blogspot.com/feeds/6813601356474646380/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=29607494&amp;postID=6813601356474646380' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/29607494/posts/default/6813601356474646380'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/29607494/posts/default/6813601356474646380'/><link rel='alternate' type='text/html' href='http://historiadelvideoarte.blogspot.com/2007/02/james-stuart-blackton-enchanted-drawing.html' title=''/><author><name>paco nadie</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='22' src='http://photos1.blogger.com/blogger/871/1751/1600/annimo2.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-29607494.post-1600276124497643904</id><published>2007-02-12T08:35:00.000-08:00</published><updated>2007-02-12T09:14:10.084-08:00</updated><title type='text'></title><content type='html'>&lt;object width="425" height="350"&gt;&lt;param name="movie" value="http://www.youtube.com/v/Ph3CgvCm0IQ"&gt;&lt;/param&gt;&lt;param name="wmode" value="transparent"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/Ph3CgvCm0IQ" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;Georges Melies  &lt;br /&gt;Eclipse De Soleil En Pleine Lune. 1907&lt;br /&gt;9:08&lt;br /&gt;&lt;br /&gt;&lt;object width="425" height="350"&gt;&lt;param name="movie" value="http://www.youtube.com/v/vuG7pj18G8s"&gt;&lt;/param&gt;&lt;param name="wmode" value="transparent"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/vuG7pj18G8s" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;Georges Melies&lt;br /&gt;Voyage dans la lune&lt;br /&gt;11:48&lt;br /&gt;&lt;br /&gt;&lt;object width="425" height="350"&gt;&lt;param name="movie" value="http://www.youtube.com/v/grqYhkrXyvs"&gt;&lt;/param&gt;&lt;param name="wmode" value="transparent"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/grqYhkrXyvs" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;Georges Melies &lt;br /&gt;Untamable Whiskers, 1904&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/29607494-1600276124497643904?l=historiadelvideoarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://historiadelvideoarte.blogspot.com/feeds/1600276124497643904/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=29607494&amp;postID=1600276124497643904' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/29607494/posts/default/1600276124497643904'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/29607494/posts/default/1600276124497643904'/><link rel='alternate' type='text/html' href='http://historiadelvideoarte.blogspot.com/2007/02/georges-melies-eclipse-de-soleil-en.html' title=''/><author><name>paco nadie</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='22' src='http://photos1.blogger.com/blogger/871/1751/1600/annimo2.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-29607494.post-291175082528878050</id><published>2007-02-12T08:24:00.000-08:00</published><updated>2007-02-12T08:28:49.615-08:00</updated><title type='text'></title><content type='html'>&lt;a class="dg" href="http://www.algonet.se/~mjsull/"&gt;&lt;span style="font-family:arial;color:#000000;"&gt;&lt;strong&gt;&lt;em&gt;Maya Deren&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;object width="425" height="350"&gt;&lt;param name="movie" value="http://www.youtube.com/v/nurkDWY5QQg"&gt;&lt;/param&gt;&lt;param name="wmode" value="transparent"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/nurkDWY5QQg" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;&lt;a&gt;&lt;span style="font-family:arial;color:#000000;"&gt;&lt;strong&gt;&lt;em&gt;Maya Deren&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-family:arial;color:#000000;"&gt;&lt;em&gt; A Study In Choreography For Camera. 1945 -&lt;/em&gt;&lt;/span&gt;&lt;span style="font-family:arial;"&gt;&lt;span style="color:#000000;"&gt;&lt;em&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;&lt;span style="color:#000000;"&gt;2:13&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;object width="425" height="350"&gt;&lt;param name="movie" value="http://www.youtube.com/v/qDE_ezhAQOw"&gt;&lt;/param&gt;&lt;param name="wmode" value="transparent"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/qDE_ezhAQOw" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/29607494-291175082528878050?l=historiadelvideoarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://historiadelvideoarte.blogspot.com/feeds/291175082528878050/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=29607494&amp;postID=291175082528878050' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/29607494/posts/default/291175082528878050'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/29607494/posts/default/291175082528878050'/><link rel='alternate' type='text/html' href='http://historiadelvideoarte.blogspot.com/2007/02/maya-deren-maya-deren-study-in.html' title=''/><author><name>paco nadie</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='22' src='http://photos1.blogger.com/blogger/871/1751/1600/annimo2.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-29607494.post-5408180063816878187</id><published>2007-02-12T08:00:00.000-08:00</published><updated>2007-02-12T09:50:13.980-08:00</updated><title type='text'></title><content type='html'>ORSON WELLES&lt;br /&gt;&lt;object width="425" height="350"&gt;&lt;param name="movie" value="http://www.youtube.com/v/i21zPNHfDAw"&gt;&lt;/param&gt;&lt;param name="wmode" value="transparent"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/i21zPNHfDAw" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;Orson Welles&lt;br /&gt;The Hearts Of Age. 1934&lt;br /&gt;8:10&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/29607494-5408180063816878187?l=historiadelvideoarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://historiadelvideoarte.blogspot.com/feeds/5408180063816878187/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=29607494&amp;postID=5408180063816878187' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/29607494/posts/default/5408180063816878187'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/29607494/posts/default/5408180063816878187'/><link rel='alternate' type='text/html' href='http://historiadelvideoarte.blogspot.com/2007/02/orson-welles-orson-welles-hearts-of-age.html' title=''/><author><name>paco nadie</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='22' src='http://photos1.blogger.com/blogger/871/1751/1600/annimo2.jpg'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-29607494.post-8560576862947696701</id><published>2007-02-12T02:57:00.000-08:00</published><updated>2007-02-12T03:17:43.959-08:00</updated><title type='text'></title><content type='html'>&lt;ul&gt;&lt;b&gt;&lt;a href="http://www.ivanzulueta.com/filmagintza.php "&gt;IVAN ZULUETA&lt;/b&gt;&lt;/a&gt;&lt;/ul&gt;&lt;object width="425" height="350"&gt;&lt;param name="movie" value="http://www.youtube.com/v/Wvi4XKbVxGk"&gt;&lt;/param&gt;&lt;param name="wmode" value="transparent"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/Wvi4XKbVxGk" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;ARREBATO&lt;br /&gt;Ivan Zulueta&lt;br /&gt;1979, 35 mm. Panorámica. Color. (105’)&lt;br /&gt;&lt;br /&gt;(fragmento. 4:45)&lt;br /&gt;&lt;br /&gt;(Una imprescindible revisión del proceso de busqueda interior en las artes visuales. El abismo, la obsesión, el arrebato, el privilegiado estado psicótico, lo que sucede tras las cámaras  o lo que no se ve como base estética de cualquier obra abierta.)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/29607494-8560576862947696701?l=historiadelvideoarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://historiadelvideoarte.blogspot.com/feeds/8560576862947696701/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=29607494&amp;postID=8560576862947696701' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/29607494/posts/default/8560576862947696701'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/29607494/posts/default/8560576862947696701'/><link rel='alternate' type='text/html' href='http://historiadelvideoarte.blogspot.com/2007/02/ivan-zulueta-arrebato-ivan-zulueta-1979.html' title=''/><author><name>paco nadie</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='22' src='http://photos1.blogger.com/blogger/871/1751/1600/annimo2.jpg'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-29607494.post-597972966800314168</id><published>2007-02-12T01:41:00.000-08:00</published><updated>2007-02-12T04:28:52.806-08:00</updated><title type='text'></title><content type='html'>&lt;ul&gt;&lt;b&gt;&lt;a href="http://www.valdelomar.com/inicio.php "&gt;VAL DEL OMAR&lt;/b&gt;&lt;/a&gt;&lt;/ul&gt;&lt;br /&gt;&lt;a href="http://4.bp.blogspot.com/_g5WIA8GhGfY/RdBUFE8xJJI/AAAAAAAAAQU/U8fXugVyQgQ/s1600-h/cine_194.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;" src="http://4.bp.blogspot.com/_g5WIA8GhGfY/RdBUFE8xJJI/AAAAAAAAAQU/U8fXugVyQgQ/s400/cine_194.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5030613229977543826" /&gt;&lt;/a&gt;&lt;a href="http://1.bp.blogspot.com/_g5WIA8GhGfY/RdBUFU8xJKI/AAAAAAAAAQc/WRAA0JN1br8/s1600-h/cine_195.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;" src="http://1.bp.blogspot.com/_g5WIA8GhGfY/RdBUFU8xJKI/AAAAAAAAAQc/WRAA0JN1br8/s400/cine_195.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5030613234272511138" /&gt;&lt;/a&gt;&lt;a href="http://4.bp.blogspot.com/_g5WIA8GhGfY/RdBYAE8xJVI/AAAAAAAAAR0/W5NPs-ek-dU/s1600-h/cine_198.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;" src="http://4.bp.blogspot.com/_g5WIA8GhGfY/RdBYAE8xJVI/AAAAAAAAAR0/W5NPs-ek-dU/s400/cine_198.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5030617542124709202" /&gt;&lt;/a&gt;&lt;a href="http://1.bp.blogspot.com/_g5WIA8GhGfY/RdBVMU8xJOI/AAAAAAAAAQ8/rqzrro-m0Gs/s1600-h/cine_199.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;" src="http://1.bp.blogspot.com/_g5WIA8GhGfY/RdBVMU8xJOI/AAAAAAAAAQ8/rqzrro-m0Gs/s400/cine_199.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5030614454043223266" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Las misiones pedagógicas:&lt;br /&gt;&lt;br /&gt;&lt;ul&gt;&lt;b&gt;&lt;a href="http://www.valdelomar.com/cine3.php?lang=es&amp;menu_act=5&amp;cine1_cod=4&amp;cine2_cod=9&amp;cine3_codi=24&amp;cine4_codi=89&lt;br /&gt; "&gt;Los primeros amigos son los niños&lt;/b&gt;&lt;/a&gt;&lt;/ul&gt;&lt;ul&gt;&lt;b&gt;&lt;a href="http://www.valdelomar.com/cine3.php?lang=es&amp;menu_act=5&amp;cine1_cod=4&amp;cine2_cod=9&amp;cine3_codi=24&amp;cine4_codi=90&lt;br /&gt; "&gt;Cine de noche, escuela a la luz del día&lt;/b&gt;&lt;/a&gt;&lt;/ul&gt;&lt;br /&gt;&lt;br /&gt;Fiestas cristianas y paganas:&lt;br /&gt;&lt;br /&gt;&lt;ul&gt;&lt;b&gt;&lt;a href="http://www.valdelomar.com/cine3.php?lang=es&amp;menu_act=5&amp;cine1_cod=4&amp;cine2_cod=10&amp;cine3_codi=28&lt;br /&gt; "&gt;semana santa en Lorca&lt;/b&gt;&lt;/a&gt;&lt;/ul&gt;&lt;ul&gt;&lt;b&gt;&lt;a href="http://www.valdelomar.com/cine3.php?lang=es&amp;menu_act=5&amp;cine1_cod=4&amp;cine2_cod=10&amp;cine3_codi=28&amp;cine4_codi=128 "&gt;Molinos de vela&lt;/b&gt;&lt;/a&gt;&lt;/ul&gt;&lt;br /&gt;&lt;br /&gt;Tríptico Elemental de España:&lt;br /&gt;&lt;br /&gt;&lt;a href="http://1.bp.blogspot.com/_g5WIA8GhGfY/RdBWqU8xJQI/AAAAAAAAARM/RySgnxyfMiI/s1600-h/aguaespejo.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;" src="http://1.bp.blogspot.com/_g5WIA8GhGfY/RdBWqU8xJQI/AAAAAAAAARM/RySgnxyfMiI/s400/aguaespejo.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5030616068950926594" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;ul&gt;&lt;b&gt;&lt;a href="http://www.valdelomar.com/cine3.php?lang=es&amp;menu_act=5&amp;cine1_cod=6&amp;cine2_cod=11&amp;cine3_codi=39"&gt;Aguasepejo Granadino&lt;/b&gt;&lt;/a&gt;&lt;/ul&gt;&lt;br /&gt;&lt;a href="http://2.bp.blogspot.com/_g5WIA8GhGfY/RdBWqk8xJRI/AAAAAAAAARU/t4A7rvZ6NwU/s1600-h/fegoencastilla5.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;" src="http://2.bp.blogspot.com/_g5WIA8GhGfY/RdBWqk8xJRI/AAAAAAAAARU/t4A7rvZ6NwU/s400/fegoencastilla5.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5030616073245893906" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;ul&gt;&lt;b&gt;&lt;a href="http://www.valdelomar.com/cine3.php?lang=es&amp;menu_act=5&amp;cine1_cod=6&amp;cine2_cod=15&amp;cine3_codi=44"&gt;Fuego en Castilla&lt;/b&gt;&lt;/a&gt;&lt;/ul&gt;&lt;br /&gt;&lt;a href="http://2.bp.blogspot.com/_g5WIA8GhGfY/RdBWqk8xJTI/AAAAAAAAARk/8Af8oKalZzk/s1600-h/ACARIN%CC%83O2.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;" src="http://2.bp.blogspot.com/_g5WIA8GhGfY/RdBWqk8xJTI/AAAAAAAAARk/8Af8oKalZzk/s400/ACARIN%CC%83O2.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5030616073245893938" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;ul&gt;&lt;b&gt;&lt;a href="http://www.valdelomar.com/cine3.php?lang=es&amp;menu_act=5&amp;cine1_cod=6&amp;cine2_cod=16&amp;cine3_codi=49&amp;cine4_codi=487"&gt;Acariño galaico&lt;/b&gt;&lt;/a&gt;&lt;/ul&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/29607494-597972966800314168?l=historiadelvideoarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://historiadelvideoarte.blogspot.com/feeds/597972966800314168/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=29607494&amp;postID=597972966800314168' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/29607494/posts/default/597972966800314168'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/29607494/posts/default/597972966800314168'/><link rel='alternate' type='text/html' href='http://historiadelvideoarte.blogspot.com/2007/02/val-del-omar-las-misiones-pedaggicas.html' title=''/><author><name>paco nadie</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='22' src='http://photos1.blogger.com/blogger/871/1751/1600/annimo2.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_g5WIA8GhGfY/RdBUFE8xJJI/AAAAAAAAAQU/U8fXugVyQgQ/s72-c/cine_194.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-29607494.post-8604935991821811913</id><published>2007-02-11T09:25:00.000-08:00</published><updated>2007-02-12T09:27:27.660-08:00</updated><title type='text'></title><content type='html'>DAVID LYNCH&lt;br /&gt;http://www.davidlynch.com/&lt;br /&gt;&lt;object width="425" height="350"&gt;&lt;param name="movie" value="http://www.youtube.com/v/YxiHjPKlT88"&gt;&lt;/param&gt;&lt;param name="wmode" value="transparent"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/YxiHjPKlT88" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;David Lynch&lt;br /&gt;Six Men Getting Sick a.k.a Six Figures Getting Sick&lt;br /&gt;1966&lt;br /&gt;&lt;br /&gt;&lt;object width="425" height="350"&gt;&lt;param name="movie" value="http://www.youtube.com/v/VBMQtkrJgJY"&gt;&lt;/param&gt;&lt;param name="wmode" value="transparent"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/VBMQtkrJgJY" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;David Lynch&lt;br /&gt;Eraserhead&lt;br /&gt;6:59 (teaser)&lt;br /&gt;&lt;br /&gt;&lt;object width="425" height="350"&gt;&lt;param name="movie" value="http://www.youtube.com/v/MXgDGSnz6eM"&gt;&lt;/param&gt;&lt;param name="wmode" value="transparent"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/MXgDGSnz6eM" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;David Lynch &amp; Kenji Siratori &lt;br /&gt;TOKAGE&lt;br /&gt;5:36&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/29607494-8604935991821811913?l=historiadelvideoarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://historiadelvideoarte.blogspot.com/feeds/8604935991821811913/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=29607494&amp;postID=8604935991821811913' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/29607494/posts/default/8604935991821811913'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/29607494/posts/default/8604935991821811913'/><link rel='alternate' type='text/html' href='http://historiadelvideoarte.blogspot.com/2007/02/david-lynch-david-lynch-six-men-getting.html' title=''/><author><name>paco nadie</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='22' src='http://photos1.blogger.com/blogger/871/1751/1600/annimo2.jpg'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-29607494.post-7203795213504506070</id><published>2007-02-11T09:11:00.000-08:00</published><updated>2007-02-12T09:26:57.099-08:00</updated><title type='text'></title><content type='html'>LEN LYE&lt;br /&gt;&lt;br /&gt;&lt;object width="425" height="350"&gt;&lt;param name="movie" value="http://www.youtube.com/v/UWueUwalWlg"&gt;&lt;/param&gt;&lt;param name="wmode" value="transparent"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/UWueUwalWlg" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;Len Lye&lt;br /&gt;Rainbow Dance. 1936&lt;br /&gt;3:58&lt;br /&gt;&lt;br /&gt;&lt;object width="425" height="350"&gt;&lt;param name="movie" value="http://www.youtube.com/v/ogngZFAj0PI"&gt;&lt;/param&gt;&lt;param name="wmode" value="transparent"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/ogngZFAj0PI" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;Len Lye &lt;br /&gt;A Colour Box Free Radical. 1935&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/29607494-7203795213504506070?l=historiadelvideoarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://historiadelvideoarte.blogspot.com/feeds/7203795213504506070/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=29607494&amp;postID=7203795213504506070' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/29607494/posts/default/7203795213504506070'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/29607494/posts/default/7203795213504506070'/><link rel='alternate' type='text/html' href='http://historiadelvideoarte.blogspot.com/2007/02/len-lye-len-lye-rainbow-dance.html' title=''/><author><name>paco nadie</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='22' src='http://photos1.blogger.com/blogger/871/1751/1600/annimo2.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-29607494.post-5865746543135410128</id><published>2007-02-11T07:46:00.000-08:00</published><updated>2007-02-15T04:44:46.102-08:00</updated><title type='text'></title><content type='html'>PETER GREENAWAY&lt;br /&gt;&lt;object width="425" height="350"&gt;&lt;param name="movie" value="http://www.youtube.com/v/D6PwyxJNeg8"&gt;&lt;/param&gt;&lt;param name="wmode" value="transparent"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/D6PwyxJNeg8" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;Intervals&lt;br /&gt;film by Peter Greenaway.&lt;br /&gt;6:27&lt;br /&gt;&lt;br /&gt;&lt;object width="425" height="350"&gt;&lt;param name="movie" value="http://www.youtube.com/v/RZDkdCcZXvo"&gt;&lt;/param&gt;&lt;param name="wmode" value="transparent"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/RZDkdCcZXvo" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;"Windows" (1974&lt;br /&gt;film by Peter Greenaway.&lt;br /&gt;3:34&lt;br /&gt;&lt;br /&gt;&lt;object width="425" height="350"&gt;&lt;param name="movie" value="http://www.youtube.com/v/9XnFhddwyoU"&gt;&lt;/param&gt;&lt;param name="wmode" value="transparent"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/9XnFhddwyoU" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt; The Sea in their Blood (aka The Coastline).&lt;br /&gt;A clip from Peter Greenaway's film,&lt;br /&gt;9:56&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/29607494-5865746543135410128?l=historiadelvideoarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://historiadelvideoarte.blogspot.com/feeds/5865746543135410128/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=29607494&amp;postID=5865746543135410128' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/29607494/posts/default/5865746543135410128'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/29607494/posts/default/5865746543135410128'/><link rel='alternate' type='text/html' href='http://historiadelvideoarte.blogspot.com/2007/02/intervals-film-by-peter-greenaway.html' title=''/><author><name>paco nadie</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='22' src='http://photos1.blogger.com/blogger/871/1751/1600/annimo2.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-29607494.post-3084162510351926838</id><published>2007-02-11T07:41:00.000-08:00</published><updated>2007-02-11T07:40:42.235-08:00</updated><title type='text'></title><content type='html'>&lt;object width="425" height="350"&gt;&lt;param name="movie" value="http://www.youtube.com/v/LJaTjc3TMyo"&gt;&lt;/param&gt;&lt;param name="wmode" value="transparent"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/LJaTjc3TMyo" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;Doug Aitken &lt;br /&gt;sleepwalkers (trailer)&lt;br /&gt;obra proyectada sobre las paredes exteriores del MOMA&lt;br /&gt;January 16-February 12 Nightly 5-10 p.m. Free&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/29607494-3084162510351926838?l=historiadelvideoarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://historiadelvideoarte.blogspot.com/feeds/3084162510351926838/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=29607494&amp;postID=3084162510351926838' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/29607494/posts/default/3084162510351926838'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/29607494/posts/default/3084162510351926838'/><link rel='alternate' type='text/html' href='http://historiadelvideoarte.blogspot.com/2007/02/doug-aitken-sleepwalkers-trailer-obra.html' title=''/><author><name>paco nadie</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='22' src='http://photos1.blogger.com/blogger/871/1751/1600/annimo2.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-29607494.post-2096884807798236090</id><published>2007-02-11T07:16:00.000-08:00</published><updated>2007-03-13T09:16:22.104-07:00</updated><title type='text'>¿QUE ES VIDEOARTE?</title><content type='html'>&lt;a href="http://4.bp.blogspot.com/_g5WIA8GhGfY/RfbLhVcCMoI/AAAAAAAAAUE/wiJXsm8fL2o/s1600-h/cine_331.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;" src="http://4.bp.blogspot.com/_g5WIA8GhGfY/RfbLhVcCMoI/AAAAAAAAAUE/wiJXsm8fL2o/s400/cine_331.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5041440606438699650" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Se entiende por vídeoarte la utilización de medios electrónicos (analógicos o digitales) con un fin artístico. En 1959, en Colonia, a Wolf Vostell se le reconoció el mérito de montar una exposición de contenidos de la televisión que habían sido alterados evidenciando la tensa relación entre televisión y arte. Esta exposición es lo que más tarde se conocerá como vídeo-exposición.&lt;br /&gt;El vídeoarte vio su apogeo durante los años 1960 y 1970, pero aún mantiene vigencia. Nam June Paik está considerado el primer videoartista. Este músico coreano obtuvo en 1965 la primera cámara portátil de SONY antes de su comercialización. El 4 de noviembre grabó desde un taxi las calles de Nueva York durante la visita del Papa Pablo VI con una finalidad estética para captar una realidad subjetiva, al margen de las funciones de grabación de la televisión.&lt;br /&gt;Una de las diferencias entre el vídeoarte y el cine es que el vídeoarte no necesariamente cumple con las conveniciones del cine. El video arte puede no emplear actores, diálogos, puede no tener una narrativa o guión, u otras convenciones que generalmente definen a las películas como entretenimiento.&lt;br /&gt;Los cinestas buscaron alternativas más económicas a la producción tradicional en cine, de esta forma surge el vídeoarte, como propuesta más enfocada a personas que rompen con los parámetros comerciales y buscan un medio más económico pero no por este motivo con menos valor que las formas tradicionales de producción.&lt;br /&gt;El vídeoarte ha incidido en la producción de cortometrajes principalmente, su estética apenas se está construyendo con base en ensayo y error y con las enormes posibilidades que brinda el soporte magnético.&lt;br /&gt;El uso del vídeo por parte de los video-artistas gira en torno a grandes variantes:&lt;br /&gt;* Grabación de acciones: se incluyen los trabajos de artistas que difunden sus performances pregrabadas en el momento de sus intervenciones en directo. Este tipo de acciones, la mayoría de las veces, están orientadas a la recuperación de la noción de tiempo real.&lt;br /&gt;* Investigaciones sobre el espacio-tiempo: la noción de espacio- tiempo ha sido tratada por muchos videoartistas. De estas investigaciones surge la idea de espacio, entendido como recorrido, y el tiempo, entendido como período.&lt;br /&gt;* Vídeo instalaciones&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;http://es.wikipedia.org/wiki/Videoarte&lt;br /&gt;&lt;br /&gt;(imagen:* Acariño galaico (Jose Val del Omar))&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/29607494-2096884807798236090?l=historiadelvideoarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://historiadelvideoarte.blogspot.com/feeds/2096884807798236090/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=29607494&amp;postID=2096884807798236090' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/29607494/posts/default/2096884807798236090'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/29607494/posts/default/2096884807798236090'/><link rel='alternate' type='text/html' href='http://historiadelvideoarte.blogspot.com/2007/02/una-breve-introduccin-se-entiende-por.html' title='¿QUE ES VIDEOARTE?'/><author><name>paco nadie</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='22' src='http://photos1.blogger.com/blogger/871/1751/1600/annimo2.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_g5WIA8GhGfY/RfbLhVcCMoI/AAAAAAAAAUE/wiJXsm8fL2o/s72-c/cine_331.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-29607494.post-5222660045617317335</id><published>2007-02-11T02:23:00.000-08:00</published><updated>2007-02-14T02:45:10.484-08:00</updated><title type='text'></title><content type='html'>BRIAN ENO&lt;br /&gt;&lt;br /&gt;&lt;object width="425" height="350"&gt;&lt;param name="movie" value="http://www.youtube.com/v/AQLh3WanSfg"&gt;&lt;/param&gt;&lt;param name="wmode" value="transparent"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/AQLh3WanSfg" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;Brian Eno&lt;br /&gt; "2/1" (1978)&lt;br /&gt;8:36&lt;br /&gt;&lt;br /&gt;&lt;object width="425" height="350"&gt;&lt;param name="movie" value="http://www.youtube.com/v/NYr323Rqy8c"&gt;&lt;/param&gt;&lt;param name="wmode" value="transparent"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/NYr323Rqy8c" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;Brian Eno&lt;br /&gt;version #2 "2/2"&lt;br /&gt;3:24&lt;br /&gt;&lt;br /&gt;&lt;object width="425" height="350"&gt;&lt;param name="movie" value="http://www.youtube.com/v/TJ0X06w742I"&gt;&lt;/param&gt;&lt;param name="wmode" value="transparent"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/TJ0X06w742I" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;Brian Eno&lt;br /&gt;Paint like music &lt;br /&gt;(installation at Venice Biennale)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/29607494-5222660045617317335?l=historiadelvideoarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://historiadelvideoarte.blogspot.com/feeds/5222660045617317335/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=29607494&amp;postID=5222660045617317335' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/29607494/posts/default/5222660045617317335'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/29607494/posts/default/5222660045617317335'/><link rel='alternate' type='text/html' href='http://historiadelvideoarte.blogspot.com/2007/02/brian-eno-brian-eno-21-1978-836-brian.html' title=''/><author><name>paco nadie</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='22' src='http://photos1.blogger.com/blogger/871/1751/1600/annimo2.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-29607494.post-1571338852034477847</id><published>2007-02-11T01:59:00.000-08:00</published><updated>2007-02-14T02:10:48.216-08:00</updated><title type='text'></title><content type='html'>YVES KLEIN&lt;br /&gt;&lt;br /&gt;&lt;object width="425" height="350"&gt;&lt;param name="movie" value="http://www.youtube.com/v/4eguBFbC11E"&gt;&lt;/param&gt;&lt;param name="wmode" value="transparent"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/4eguBFbC11E" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;Yves Klein &lt;br /&gt;Anthropometries of teh blue period and fire paintings, 1960&lt;br /&gt;(two performance)&lt;br /&gt;6:57&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/29607494-1571338852034477847?l=historiadelvideoarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://historiadelvideoarte.blogspot.com/feeds/1571338852034477847/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=29607494&amp;postID=1571338852034477847' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/29607494/posts/default/1571338852034477847'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/29607494/posts/default/1571338852034477847'/><link rel='alternate' type='text/html' href='http://historiadelvideoarte.blogspot.com/2007/02/yves-klein-yves-klein-anthropometries.html' title=''/><author><name>paco nadie</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='22' src='http://photos1.blogger.com/blogger/871/1751/1600/annimo2.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-29607494.post-5950834312213859126</id><published>2007-02-11T01:48:00.000-08:00</published><updated>2007-02-14T01:57:25.678-08:00</updated><title type='text'></title><content type='html'>&lt;object width="425" height="350"&gt;&lt;param name="movie" value="http://www.youtube.com/v/cVdtIjdGsgU"&gt;&lt;/param&gt;&lt;param name="wmode" value="transparent"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/cVdtIjdGsgU" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;Rebecca Horn &lt;br /&gt;haircut&lt;br /&gt;01:39&lt;br /&gt;&lt;br /&gt;&lt;object width="425" height="350"&gt;&lt;param name="movie" value="http://www.youtube.com/v/jMjs3FaXDJw"&gt;&lt;/param&gt;&lt;param name="wmode" value="transparent"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/jMjs3FaXDJw" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;Rebecca Horn.&lt;br /&gt;Buster's Bedroom -straitjacket scene-&lt;br /&gt;(Amanda Ooms, Donald Sutherland, Geraldine Chaplin)&lt;br /&gt;4:49&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/29607494-5950834312213859126?l=historiadelvideoarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://historiadelvideoarte.blogspot.com/feeds/5950834312213859126/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=29607494&amp;postID=5950834312213859126' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/29607494/posts/default/5950834312213859126'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/29607494/posts/default/5950834312213859126'/><link rel='alternate' type='text/html' href='http://historiadelvideoarte.blogspot.com/2007/02/rebecca-horn-haircut-0139-rebecca-horn.html' title=''/><author><name>paco nadie</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='22' src='http://photos1.blogger.com/blogger/871/1751/1600/annimo2.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-29607494.post-6341356234259392935</id><published>2007-02-11T00:59:00.000-08:00</published><updated>2007-02-14T01:24:54.119-08:00</updated><title type='text'></title><content type='html'>JOSEPH BEUYS&lt;br /&gt;&lt;br /&gt;&lt;object width="425" height="350"&gt;&lt;param name="movie" value="http://www.youtube.com/v/eGc7LvAu3ug"&gt;&lt;/param&gt;&lt;param name="wmode" value="transparent"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/eGc7LvAu3ug" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;Joseph Beuys &lt;br /&gt;Sonne Statt Reagan [1982]&lt;br /&gt;&lt;br /&gt;&lt;object width="425" height="350"&gt;&lt;param name="movie" value="http://www.youtube.com/v/k_k453_FSWE"&gt;&lt;/param&gt;&lt;param name="wmode" value="transparent"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/k_k453_FSWE" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;SOZIALE PLASTIK mit Beuys&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/29607494-6341356234259392935?l=historiadelvideoarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://historiadelvideoarte.blogspot.com/feeds/6341356234259392935/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=29607494&amp;postID=6341356234259392935' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/29607494/posts/default/6341356234259392935'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/29607494/posts/default/6341356234259392935'/><link rel='alternate' type='text/html' href='http://historiadelvideoarte.blogspot.com/2007/02/joseph-beuys-joseph-beuys-sonne-statt.html' title=''/><author><name>paco nadie</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='22' src='http://photos1.blogger.com/blogger/871/1751/1600/annimo2.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-29607494.post-457138464063154003</id><published>2007-02-10T11:26:00.000-08:00</published><updated>2007-02-12T12:04:40.652-08:00</updated><title type='text'></title><content type='html'>&lt;object width="425" height="350"&gt;&lt;param name="movie" value="http://www.youtube.com/v/uPlQsEyHQOo"&gt;&lt;/param&gt;&lt;param name="wmode" value="transparent"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/uPlQsEyHQOo" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;John Baldessari&lt;br /&gt;I Am Making Art &lt;br /&gt;00:29&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/29607494-457138464063154003?l=historiadelvideoarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://historiadelvideoarte.blogspot.com/feeds/457138464063154003/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=29607494&amp;postID=457138464063154003' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/29607494/posts/default/457138464063154003'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/29607494/posts/default/457138464063154003'/><link rel='alternate' type='text/html' href='http://historiadelvideoarte.blogspot.com/2007/02/john-baldessari-i-am-making-art-0029.html' title=''/><author><name>paco nadie</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='22' src='http://photos1.blogger.com/blogger/871/1751/1600/annimo2.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-29607494.post-910410942454920412</id><published>2007-02-10T11:09:00.000-08:00</published><updated>2007-02-12T11:25:36.685-08:00</updated><title type='text'></title><content type='html'>BRUCE NAUMAN&lt;br /&gt;&lt;object width="425" height="350"&gt;&lt;param name="movie" value="http://www.youtube.com/v/ea6yCyHk78U"&gt;&lt;/param&gt;&lt;param name="wmode" value="transparent"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/ea6yCyHk78U" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;Bruce Nauman,&lt;br /&gt;Stamping in the Studio&lt;br /&gt;(excerpt), 1968&lt;br /&gt;5:08&lt;br /&gt;&lt;br /&gt;&lt;object width="425" height="350"&gt;&lt;param name="movie" value="http://www.youtube.com/v/egfu_LcC0_8"&gt;&lt;/param&gt;&lt;param name="wmode" value="transparent"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/egfu_LcC0_8" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;Bruce Nauman &lt;br /&gt;Violin Tuned D.E.A.D. 1968&lt;br /&gt;0:29&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/29607494-910410942454920412?l=historiadelvideoarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://historiadelvideoarte.blogspot.com/feeds/910410942454920412/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=29607494&amp;postID=910410942454920412' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/29607494/posts/default/910410942454920412'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/29607494/posts/default/910410942454920412'/><link rel='alternate' type='text/html' href='http://historiadelvideoarte.blogspot.com/2007/02/bruce-nauman-bruce-nauman-stamping-in.html' title=''/><author><name>paco nadie</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='22' src='http://photos1.blogger.com/blogger/871/1751/1600/annimo2.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-29607494.post-6353694417939264523</id><published>2007-02-10T11:07:00.000-08:00</published><updated>2007-02-12T11:52:42.352-08:00</updated><title type='text'></title><content type='html'>VITO ACCONCI&lt;br /&gt;&lt;object width="425" height="350"&gt;&lt;param name="movie" value="http://www.youtube.com/v/t9k-yc5u3sQ"&gt;&lt;/param&gt;&lt;param name="wmode" value="transparent"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/t9k-yc5u3sQ" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;Vito Acconci&lt;br /&gt;Undertone (excerpt) 1972&lt;br /&gt;8:28&lt;br /&gt;&lt;br /&gt;&lt;object width="425" height="350"&gt;&lt;param name="movie" value="http://www.youtube.com/v/yB_W4x4bOOs"&gt;&lt;/param&gt;&lt;param name="wmode" value="transparent"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/yB_W4x4bOOs" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;Vito Acconci&lt;br /&gt;Centers&lt;br /&gt;00:15&lt;br /&gt;&lt;br /&gt;&lt;object width="425" height="350"&gt;&lt;param name="movie" value="http://www.youtube.com/v/VwNN0vs4GLM"&gt;&lt;/param&gt;&lt;param name="wmode" value="transparent"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/VwNN0vs4GLM" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;Vito Acconci Waterways: 4 Saliva Studies&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/29607494-6353694417939264523?l=historiadelvideoarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://historiadelvideoarte.blogspot.com/feeds/6353694417939264523/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=29607494&amp;postID=6353694417939264523' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/29607494/posts/default/6353694417939264523'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/29607494/posts/default/6353694417939264523'/><link rel='alternate' type='text/html' href='http://historiadelvideoarte.blogspot.com/2007/02/vito-acconci-vito-acconci-undertone.html' title=''/><author><name>paco nadie</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='22' src='http://photos1.blogger.com/blogger/871/1751/1600/annimo2.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-29607494.post-694029581357591649</id><published>2006-12-10T05:59:00.001-08:00</published><updated>2007-02-17T14:25:59.451-08:00</updated><title type='text'>Fluxus</title><content type='html'>&lt;object width="425" height="350"&gt;&lt;param name="movie" value="http://www.youtube.com/v/z5krhw54oqs"&gt;&lt;/param&gt;&lt;param name="wmode" value="transparent"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/z5krhw54oqs" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt; Wolf Vostell &lt;br /&gt;- Sun in your head&lt;br /&gt;Fluxfilm 23&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;object width="425" height="350"&gt;&lt;param name="movie" value="http://www.youtube.com/v/8z1sOsIrshU"&gt;&lt;/param&gt;&lt;param name="wmode" value="transparent"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/8z1sOsIrshU" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;Nam June Paik &lt;br /&gt;- Zen For Film (1962-64)&lt;br /&gt;Fluxfilm 01&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;object width="425" height="350"&gt;&lt;param name="movie" value="http://www.youtube.com/v/z2QaUltkLwI"&gt;&lt;/param&gt;&lt;param name="wmode" value="transparent"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/z2QaUltkLwI" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;George Maciunas &lt;br /&gt;- End After 9 (1966)&lt;br /&gt;Fluxfilm 02&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;object width="425" height="350"&gt;&lt;param name="movie" value="http://www.youtube.com/v/1Cy9dcWWBKk"&gt;&lt;/param&gt;&lt;param name="wmode" value="transparent"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/1Cy9dcWWBKk" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;Yoko Ono &lt;br /&gt;- Eye Blink (1966)&lt;br /&gt;Fluxfilm 09&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;object width="425" height="350"&gt;&lt;param name="movie" value="http://www.youtube.com/v/AvVJ1Y-bkEc"&gt;&lt;/param&gt;&lt;param name="wmode" value="transparent"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/AvVJ1Y-bkEc" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;George Brecht - Entrance to Exit (1965)&lt;br /&gt;Fluxfilm 10&lt;br /&gt;&lt;br /&gt;&lt;object width="425" height="350"&gt;&lt;param name="movie" value="http://www.youtube.com/v/SoWB2-53NiU"&gt;&lt;/param&gt;&lt;param name="wmode" value="transparent"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/SoWB2-53NiU" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt; John Cale &lt;br /&gt;- Police Car (1966)&lt;br /&gt;Fluxfilm 31&lt;br /&gt;&lt;br /&gt;&lt;object width="425" height="350"&gt;&lt;param name="movie" value="http://www.youtube.com/v/-OWWG75Ux1c"&gt;&lt;/param&gt;&lt;param name="wmode" value="transparent"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/-OWWG75Ux1c" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;Robert Watts &lt;br /&gt;- Trace #23 (1965)&lt;br /&gt;Fluxfilm 12&lt;br /&gt;&lt;br /&gt;&lt;object width="425" height="350"&gt;&lt;param name="movie" value="http://www.youtube.com/v/1TyFgIvIWz4"&gt;&lt;/param&gt;&lt;param name="wmode" value="transparent"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/1TyFgIvIWz4" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;Pieter Vanderbeck &lt;br /&gt;- Five O'Clock in the Morning&lt;br /&gt;Fluxfilm 17 &lt;br /&gt;&lt;br /&gt;&lt;object width="425" height="350"&gt;&lt;param name="movie" value="http://www.youtube.com/v/v1RbpFhJNCQ"&gt;&lt;/param&gt;&lt;param name="wmode" value="transparent"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/v1RbpFhJNCQ" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt; Joe Jones &lt;br /&gt;- Smoking (1966)&lt;br /&gt;Fluxfilm 18&lt;br /&gt;&lt;br /&gt;&lt;object width="425" height="350"&gt;&lt;param name="movie" value="http://www.youtube.com/v/OJ5OMo2Wt8U"&gt;&lt;/param&gt;&lt;param name="wmode" value="transparent"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/OJ5OMo2Wt8U" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;Erik Andersen &lt;br /&gt;- Opus 74 Version 2 (1966)&lt;br /&gt;Fluxfilm 19 &lt;br /&gt;&lt;br /&gt;&lt;object width="425" height="350"&gt;&lt;param name="movie" value="http://www.youtube.com/v/gZxQVyOaRWs"&gt;&lt;/param&gt;&lt;param name="wmode" value="transparent"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/gZxQVyOaRWs" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;Jeff Perkins &lt;br /&gt;- Shout (1966)&lt;br /&gt;Fluxfilm 22&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/29607494-694029581357591649?l=historiadelvideoarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://historiadelvideoarte.blogspot.com/feeds/694029581357591649/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=29607494&amp;postID=694029581357591649' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/29607494/posts/default/694029581357591649'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/29607494/posts/default/694029581357591649'/><link rel='alternate' type='text/html' href='http://historiadelvideoarte.blogspot.com/2006/12/fluxus.html' title='Fluxus'/><author><name>paco nadie</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='22' src='http://photos1.blogger.com/blogger/871/1751/1600/annimo2.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-29607494.post-116352438007360309</id><published>2006-11-14T09:07:00.000-08:00</published><updated>2006-11-16T01:41:44.763-08:00</updated><title type='text'></title><content type='html'>&lt;embed src="http://www.youtube.com/v/pzmHzmS64co" width="425" height="350" type="application/x-shockwave-flash" wmode="transparent"&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;&lt;strong&gt;Francis Alys&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;/embed&gt;&lt;/object&gt;&lt;span style="font-family:arial;"&gt;el zorro en el museo&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;(National Portrait Gallery de Londres)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;03:28&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/29607494-116352438007360309?l=historiadelvideoarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://historiadelvideoarte.blogspot.com/feeds/116352438007360309/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=29607494&amp;postID=116352438007360309' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/29607494/posts/default/116352438007360309'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/29607494/posts/default/116352438007360309'/><link rel='alternate' type='text/html' href='http://historiadelvideoarte.blogspot.com/2006/11/francis-alys-el-zorro-en-el-museo.html' title=''/><author><name>paco nadie</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='22' src='http://photos1.blogger.com/blogger/871/1751/1600/annimo2.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-29607494.post-116352380545824699</id><published>2006-11-14T08:48:00.000-08:00</published><updated>2007-02-15T04:48:35.828-08:00</updated><title type='text'></title><content type='html'>BILL VIOLA&lt;br /&gt;&lt;embed src="http://www.youtube.com/v/6V8syBnyyeM" width="425" height="350" type="application/x-shockwave-flash" wmode="transparent"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;&lt;strong&gt;Bill Viola&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;The reflecting Pool&lt;/span&gt;&lt;a id="video_title_text_0_1218_414" href="http://www.youtube.com/watch?v=6V8syBnyyeM&amp;mode=related&amp;amp;search="&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;06:54&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;embed src="http://www.youtube.com/v/CiNX71Bgs78" width="425" height="350" type="application/x-shockwave-flash" wmode="transparent"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;&lt;a class="dg" href="http://www.youtube.com/results?search_query=anthem"&gt;&lt;span style="font-family:arial;color:#000000;"&gt;&lt;strong&gt;&lt;em&gt;Bill Viola.&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-family:arial;color:#000000;"&gt;&lt;em&gt;Anthem&lt;/em&gt;&lt;/span&gt;&lt;span style="font-family:arial;"&gt;&lt;span style="color:#000000;"&gt;&lt;em&gt;&lt;strong&gt; &lt;/strong&gt;&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;&lt;span style="color:#000000;"&gt;9:58&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;object width="425" height="350"&gt;&lt;param name="movie" value="http://www.youtube.com/v/utYz6PjSe_4"&gt;&lt;/param&gt;&lt;param name="wmode" value="transparent"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/utYz6PjSe_4" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;Bill Viola &lt;br /&gt;Sweet Light, 1977&lt;br /&gt;9:09&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/29607494-116352380545824699?l=historiadelvideoarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://historiadelvideoarte.blogspot.com/feeds/116352380545824699/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=29607494&amp;postID=116352380545824699' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/29607494/posts/default/116352380545824699'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/29607494/posts/default/116352380545824699'/><link rel='alternate' type='text/html' href='http://historiadelvideoarte.blogspot.com/2006/11/bill-viola-reflecting-pool-0654.html' title=''/><author><name>paco nadie</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='22' src='http://photos1.blogger.com/blogger/871/1751/1600/annimo2.jpg'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-29607494.post-115099255862988683</id><published>2006-06-22T09:03:00.000-07:00</published><updated>2006-06-25T01:24:19.053-07:00</updated><title type='text'></title><content type='html'>&lt;span style="font-family:arial;"&gt;&lt;strong&gt;&lt;span style="font-size:130%;color:#ff0000;"&gt;Andy Warhol&lt;/span&gt;&lt;/strong&gt; &lt;span style="color:#ff0000;"&gt;&lt;em&gt;(TV Star)&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;haciendo un anuncio para TDK en Japón&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;color:#666666;"&gt;A Japanese ad for TDK starring Andy Warhol.&lt;/span&gt;&lt;br /&gt;&lt;embed src="http://www.youtube.com/v/x82gWQFEpQA" width="425" height="350" type="application/x-shockwave-flash"&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:arial;font-size:85%;"&gt;la historia de Andy Warhol contada por los protagonistas de la escena del Pop Art en: &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;font-size:85%;"&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;font-size:85%;"&gt;&lt;strong&gt;Warhol -complete picture I:&lt;/strong&gt; &lt;/span&gt;&lt;a href="http://www.youtube.com/watch?v=kHOSYZ4JOl8"&gt;&lt;span style="font-family:arial;font-size:85%;"&gt;http://www.youtube.com/watch?v=kHOSYZ4JOl8&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-family:arial;font-size:85%;"&gt;&lt;strong&gt;Warhol -complete picture II&lt;/strong&gt;: &lt;/span&gt;&lt;a href="http://www.youtube.com/watch?v=sPMG2IDb19I"&gt;&lt;span style="font-family:arial;font-size:85%;"&gt;http://www.youtube.com/watch?v=sPMG2IDb19I&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.youtube.com/watch?v=sPMG2IDb19I"&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:Arial;font-size:85%;"&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/29607494-115099255862988683?l=historiadelvideoarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://historiadelvideoarte.blogspot.com/feeds/115099255862988683/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=29607494&amp;postID=115099255862988683' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/29607494/posts/default/115099255862988683'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/29607494/posts/default/115099255862988683'/><link rel='alternate' type='text/html' href='http://historiadelvideoarte.blogspot.com/2006/06/andy-warhol-tv-star-haciendo-un.html' title=''/><author><name>paco nadie</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='22' src='http://photos1.blogger.com/blogger/871/1751/1600/annimo2.jpg'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-29607494.post-115014029424037128</id><published>2006-06-12T12:01:00.000-07:00</published><updated>2006-06-25T01:30:56.880-07:00</updated><title type='text'></title><content type='html'>&lt;strong&gt;&lt;span style="font-family:arial;font-size:130%;color:#ff0000;"&gt;George Maciunas&lt;/span&gt;&lt;br /&gt;&lt;/strong&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-family:arial;"&gt;&lt;strong&gt;Sonic Youth playing Piano #13&lt;/strong&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="color:#000000;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;a href="http://www.blogger.com/&lt;object" width="425" height="350"&gt;&lt;embed src="http://www.youtube.com/v/832ApdjhMcs" width="425" height="350" type="application/x-shockwave-flash"&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:arial;font-size:85%;"&gt;Una obra de Maciunas fundador del Fluxus interpretada por sonic Youth. 1999&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/29607494-115014029424037128?l=historiadelvideoarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://historiadelvideoarte.blogspot.com/feeds/115014029424037128/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=29607494&amp;postID=115014029424037128' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/29607494/posts/default/115014029424037128'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/29607494/posts/default/115014029424037128'/><link rel='alternate' type='text/html' href='http://historiadelvideoarte.blogspot.com/2006/06/george-maciunas-sonic-youth-playing.html' title=''/><author><name>paco nadie</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='22' src='http://photos1.blogger.com/blogger/871/1751/1600/annimo2.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-29607494.post-115013886948502926</id><published>2006-06-12T11:56:00.000-07:00</published><updated>2007-02-15T05:21:24.596-08:00</updated><title type='text'></title><content type='html'>&lt;strong&gt;&lt;span style="font-family:arial;font-size:130%;"&gt;&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;span style="color:#ff0000;"&gt;&lt;span style="font-family:arial;font-size:130%;"&gt;Nam June Paik&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;object width="425" height="350"&gt;&lt;param name="movie" value="http://www.youtube.com/v/3Kr4CoU3G04"&gt;&lt;/param&gt;&lt;param name="wmode" value="transparent"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/3Kr4CoU3G04" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;&lt;span style="color:#000000;"&gt;&lt;strong&gt;Electronic Moon&lt;/strong&gt; &lt;strong&gt;No 2&lt;/strong&gt;&lt;/span&gt; (1969)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;object width="425" height="350"&gt;&lt;param name="movie" value="http://www.youtube.com/v/bw38FUMknGc"&gt;&lt;/param&gt;&lt;param name="wmode" value="transparent"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/bw38FUMknGc" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;video flag&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/29607494-115013886948502926?l=historiadelvideoarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://historiadelvideoarte.blogspot.com/feeds/115013886948502926/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=29607494&amp;postID=115013886948502926' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/29607494/posts/default/115013886948502926'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/29607494/posts/default/115013886948502926'/><link rel='alternate' type='text/html' href='http://historiadelvideoarte.blogspot.com/2006/06/nam-june-paik-electronic-moon-no-2.html' title=''/><author><name>paco nadie</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='22' src='http://photos1.blogger.com/blogger/871/1751/1600/annimo2.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-29607494.post-115013820919284954</id><published>2006-06-12T11:46:00.000-07:00</published><updated>2006-06-25T01:42:10.896-07:00</updated><title type='text'></title><content type='html'>&lt;span style="color:#ff0000;"&gt;&lt;span style="font-family:arial;font-size:130%;"&gt;Nam June Paik&lt;/span&gt; / &lt;span style="font-family:arial;font-size:130%;"&gt;Charlotte Moorman&lt;/span&gt; &lt;/span&gt;&lt;br /&gt;&lt;span style="color:#ff0000;"&gt;&lt;span style="font-family:arial;font-size:85%;color:#000000;"&gt;CONCIERTO PARA CHELO, TV Y CINTA DE VIDEO (1971)&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:arial;font-size:85%;color:#000000;"&gt;&lt;strong&gt;&lt;a href="http://photos1.blogger.com/blogger/871/1751/1600/concierto1.h.%20harr.jpg"&gt;&lt;img style="FLOAT: left; MARGIN: 0px 10px 10px 0px; CURSOR: hand" alt="" src="http://photos1.blogger.com/blogger/871/1751/400/concierto1.h.%20harr.jpg" border="0" /&gt;&lt;/a&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;font-size:85%;color:#000000;"&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;font-size:85%;color:#000000;"&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;font-size:85%;color:#000000;"&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;font-size:85%;color:#000000;"&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;font-size:85%;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;font-size:85%;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;font-size:85%;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;font-size:85%;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;font-size:85%;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;font-size:85%;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;font-size:85%;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;font-size:85%;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;font-size:85%;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;font-size:85%;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;font-size:85%;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;font-size:85%;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;font-size:85%;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;font-size:85%;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;font-size:85%;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;font-size:85%;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;font-size:85%;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;font-size:85%;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;font-size:85%;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;font-size:85%;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;font-size:85%;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;font-size:85%;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;font-size:85%;"&gt;Galeria Bonino, Nueva York, 23 de septiembre de 1971&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;font-size:85%;"&gt;foto: Thomas Haar&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:arial;font-size:85%;"&gt;En &lt;/span&gt;&lt;a href="http://www.youtube.com/watch?v=TNY2woRjB6M"&gt;&lt;span style="font-family:arial;font-size:85%;"&gt;youtube.&lt;/span&gt;&lt;/a&gt;&lt;span style="font-family:arial;font-size:85%;"&gt; podrás encntrar unas imagenes de otra de las performance de la Moorman tocando un objeto con forma fálica.&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/29607494-115013820919284954?l=historiadelvideoarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://historiadelvideoarte.blogspot.com/feeds/115013820919284954/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=29607494&amp;postID=115013820919284954' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/29607494/posts/default/115013820919284954'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/29607494/posts/default/115013820919284954'/><link rel='alternate' type='text/html' href='http://historiadelvideoarte.blogspot.com/2006/06/nam-june-paik-charlotte-moorman.html' title=''/><author><name>paco nadie</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='22' src='http://photos1.blogger.com/blogger/871/1751/1600/annimo2.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-29607494.post-115099204638104212</id><published>2006-06-12T05:52:00.000-07:00</published><updated>2007-02-15T04:38:20.326-08:00</updated><title type='text'></title><content type='html'>&lt;span style="font-family:Arial;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;font-size:85%;"&gt;&lt;strong&gt;&lt;span style="font-size:130%;color:#ff0000;"&gt;MARCEL DUCHAMP  / Man Ray&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;/span&gt;&lt;/strong&gt;&lt;a href="www.youtube.com/watch?v=BB6yI2DgUnM"&gt;&lt;span style="font-family:arial;"&gt;&lt;/span&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="font-size:180%;"&gt;&lt;span style="font-family:arial;font-size:130%;color:#000000;"&gt;Anémic Cinéma&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/strong&gt;&lt;span style="font-family:Arial;"&gt;Francia 1926&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;embed src="http://www.youtube.com/v/BB6yI2DgUnM" width="425" height="350" type="application/x-shockwave-flash"&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt; &lt;span style="font-size:100%;"&gt;por Marcel Duchamp&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:Arial;font-size:85%;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;font-size:85%;"&gt;&lt;embed src="http://www.youtube.com/v/MvLkp1xf66A" width="425" height="350" type="application/x-shockwave-flash"&gt;&lt;br /&gt;&lt;br /&gt;Marcel Duchamp narra con su propia voz el proceso de creación de sus obras de cine mudo abstracto&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;span style="font-family:arial;"&gt;&lt;span style="font-size:130%;color:#ff0000;"&gt;Marcel Duchamp:&lt;/span&gt; &lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;span style="color:#000000;"&gt;&lt;strong&gt;&lt;span style="font-family:arial;"&gt;&lt;em&gt;Optical iIlusion Machine&lt;/em&gt;&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;span style="font-family:Arial;color:#ff0000;"&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;embed src="http://www.youtube.com/v/0cZVnQeeic4" width="425" height="350" type="application/x-shockwave-flash"&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/29607494-115099204638104212?l=historiadelvideoarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://historiadelvideoarte.blogspot.com/feeds/115099204638104212/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=29607494&amp;postID=115099204638104212' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/29607494/posts/default/115099204638104212'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/29607494/posts/default/115099204638104212'/><link rel='alternate' type='text/html' href='http://historiadelvideoarte.blogspot.com/2006/06/marcel-duchamp-por-marcel-duchamp.html' title=''/><author><name>paco nadie</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='22' src='http://photos1.blogger.com/blogger/871/1751/1600/annimo2.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-29607494.post-735061430363347883</id><published>2006-01-10T09:01:00.000-08:00</published><updated>2007-03-13T09:10:35.262-07:00</updated><title type='text'>¿QUE ES VIDEOARTE?</title><content type='html'>&lt;a href="http://4.bp.blogspot.com/_g5WIA8GhGfY/RfbLhVcCMoI/AAAAAAAAAUE/wiJXsm8fL2o/s1600-h/cine_331.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;" src="http://4.bp.blogspot.com/_g5WIA8GhGfY/RfbLhVcCMoI/AAAAAAAAAUE/wiJXsm8fL2o/s400/cine_331.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5041440606438699650" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Se entiende por vídeoarte la utilización de medios electrónicos (analógicos o digitales) con un fin artístico. En 1959, en Colonia, a Wolf Vostell se le reconoció el mérito de montar una exposición de contenidos de la televisión que habían sido alterados evidenciando la tensa relación entre televisión y arte. Esta exposición es lo que más tarde se conocerá como vídeo-exposición.&lt;br /&gt;El vídeoarte vio su apogeo durante los años 1960 y 1970, pero aún mantiene vigencia. Nam June Paik está considerado el primer videoartista. Este músico coreano obtuvo en 1965 la primera cámara portátil de SONY antes de su comercialización. El 4 de noviembre grabó desde un taxi las calles de Nueva York durante la visita del Papa Pablo VI con una finalidad estética para captar una realidad subjetiva, al margen de las funciones de grabación de la televisión.&lt;br /&gt;Una de las diferencias entre el vídeoarte y el cine es que el vídeoarte no necesariamente cumple con las conveniciones del cine. El video arte puede no emplear actores, diálogos, puede no tener una narrativa o guión, u otras convenciones que generalmente definen a las películas como entretenimiento.&lt;br /&gt;Los cinestas buscaron alternativas más económicas a la producción tradicional en cine, de esta forma surge el vídeoarte, como propuesta más enfocada a personas que rompen con los parámetros comerciales y buscan un medio más económico pero no por este motivo con menos valor que las formas tradicionales de producción.&lt;br /&gt;El vídeoarte ha incidido en la producción de cortometrajes principalmente, su estética apenas se está construyendo con base en ensayo y error y con las enormes posibilidades que brinda el soporte magnético.&lt;br /&gt;El uso del vídeo por parte de los video-artistas gira en torno a grandes variantes:&lt;br /&gt;* Grabación de acciones: se incluyen los trabajos de artistas que difunden sus performances pregrabadas en el momento de sus intervenciones en directo. Este tipo de acciones, la mayoría de las veces, están orientadas a la recuperación de la noción de tiempo real.&lt;br /&gt;* Investigaciones sobre el espacio-tiempo: la noción de espacio- tiempo ha sido tratada por muchos videoartistas. De estas investigaciones surge la idea de espacio, entendido como recorrido, y el tiempo, entendido como período.&lt;br /&gt;* Vídeo instalaciones&lt;br /&gt;&lt;br /&gt;(imagen:* Acariño galaico (Jose Val del Omar))&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/29607494-735061430363347883?l=historiadelvideoarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://historiadelvideoarte.blogspot.com/feeds/735061430363347883/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=29607494&amp;postID=735061430363347883' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/29607494/posts/default/735061430363347883'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/29607494/posts/default/735061430363347883'/><link rel='alternate' type='text/html' href='http://historiadelvideoarte.blogspot.com/2007/03/que-es-video-arte.html' title='¿QUE ES VIDEOARTE?'/><author><name>paco nadie</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='22' src='http://photos1.blogger.com/blogger/871/1751/1600/annimo2.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_g5WIA8GhGfY/RfbLhVcCMoI/AAAAAAAAAUE/wiJXsm8fL2o/s72-c/cine_331.jpg' height='72' width='72'/><thr:total>0</thr:total></entry></feed>
